‘Challengers’ is still the best movie of 2024

Thomas Merzlak, TimeOut Editor • October 24, 2024

Near the end of Luca Guadagnino’s “Challengers,”...

LCD Soundsystem haven’t lost their edge

Thomas Merzlak, TimeOut Editor • October 22, 2024

LCD Soundsystem’s entire career has been an exercise...

‘Megalopolis’ is insane

Thomas Merzlak, TimeOut Editor • October 10, 2024

In the second scene of Francis Ford Coppola’s long-gestating...

‘The Substance’ is strange, gross and frustrating

Thomas Merzlak, TimeOut Editor • September 26, 2024

Coralie Fargeat’s “The Substance,” now in theaters...

‘I Saw the TV Glow,’ and I liked it

Thomas Merzlak, TimeOut Editor • September 19, 2024

The experience of watching Jane Schoenbrun’s “I...

The Dare: Borrowed nostalgia for the unremembered 2000s

Thomas Merzlak, TimeOut Editor • September 10, 2024

Over the past few months, tastemakers and artists on...

‘Imaginal Disk’ might be the album of the year

Thomas Merzlak, TimeOut Editor • September 5, 2024

Synthpop duo Magdalena Bay’s sophomore album, “Imaginal...

‘Deadpool & Wolverine’ is barely a movie

Thomas Merzlak, TimeOut Editor • August 8, 2024

I am not sure I have ever seen a movie more opposed...

‘The Tortured Poets Department’ is indeed tortuous

Thomas Merzlak, TimeOut Editor • April 25, 2024

Shortly before the release of her new album, “The...

‘Love Lies Bleeding’ is the strangest movie of the year

Thomas Merzlak, TimeOut Editor • April 4, 2024

The logline for “Love Lies Bleeding,” the latest...