In the second scene of Francis Ford Coppola’s long-gestating magnum opus “Megalopolis,” protagonist Cesar Catalina stumbles onto a scaffold, towers over a model city and manically recites the entire...

Coralie Fargeat’s “The Substance,” now in theaters via Mubi, opens with a card touting its Best Screenplay win at the prestigious Cannes Film Festival. The movie that follows led me to call the Cannes...

The experience of watching Jane Schoenbrun’s “I Saw the TV Glow” is best encapsulated by a line that Owen, the film’s main character, utters early on. “It feels,” he says, “like someone took...

The logline for “Love Lies Bleeding,” the latest film from “Saint Maud” director Rose Glass, is simple: Lou, a listless gym manager, and Jackie, a competitive bodybuilder, find their romance disrupted...

In the 1890s, when cinema was in its infancy, audiences were enraptured by a particular genre of silent film known as the “phantom ride.” To make these movies, filmmakers attached a camera to the front...

Raise your hand if you were personally victimized by the new “Mean Girls” movie. I currently have my hand raised. With the raging success of the original 2004 film and the Broadway show, the...

It has been quite some time since a true romantic comedy has been released in theaters, but Will Gluck’s “Anyone But You” has taken the media by storm since its release on Christmas Day. Sydney...

“Spider-Man: Across the Spider-Verse,” the sequel to the acclaimed 2018 release “Into the Spider-Verse,” debuted this June. The film, which is the first of a planned two-part story, is as visually...