A24’s new ‘scariest movie ever’ is really boring

Thomas Merzlak, TimeOut Editor • April 9, 2026

It seems there’s a new film marketed with histrionic...

‘Amaze! Amaze! Amaze!’: ‘Project Hail Mary’ shoots for the stars and reaches them

Matt Herrick, Senior Reporter • March 27, 2026

Science fiction has always been, in my eyes, one of...

‘The Moment’ is an uneven journey through XCX world

Thomas Merzlak, TimeOut Editor • February 19, 2026

To understand “The Moment,” the new mockumentary...

‘Student Film: The Movie’ premiere signals new era for Clemson world cinema

Brian Warner and Kaitlin Mulvihill • February 12, 2026

On Feb. 6, Clemson University’s Brooks Center for...

Josh Safdie goes all out on ‘Marty Supreme’

Cole Jersek, Asst. TimeOut Editor • January 22, 2026

After a year with a lot of anonymous studio output...

‘Wicked: For Good’ is even worse than its predecessor

Thomas Merzlak, TimeOut Editor • December 4, 2025

Last year, the first half of Jon M. Chu’s adaptation...

‘Wicked: For Good’ takes Broadway to a whole new stratosphere

Alexis Nigro, News Editor • December 4, 2025

Introduction: Jon M. Chu's "Wicked: For Good" has...

Del Toro’s ‘Frankenstein’ might not be what you expect

Lauren Douda, Opinion Editor • November 13, 2025

Guillermo del Toro’s “Frankenstein,” released...

‘Black Phone 2’ is a step up from its predecessor

Nathan Peake, Contributor • November 13, 2025

I wasn’t a huge fan of Scott Derrickson’s “The...

‘One Battle After Another’ reflects the present by looking to the future

Thomas Merzlak, TimeOut Editor • October 2, 2025

There are few accolades as tired and hackneyed as calling...

‘The Shrouds’ is a compelling look at grief

Nathaniel Peake, Contributor • September 9, 2025

Early on in “The Shrouds,” Karsh, played by Vincent...

‘Caught Stealing’ is less than the sum of its parts

Thomas Merzlak, TimeOut Editor • September 4, 2025

There are few experiences as strange as watching a...